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- W4366069428 abstract "The individual act of marriage is often perceived as carrying collective implications, ranging from kinship continuity to communal progress and national well-being. As a result, cross-cultural marriage carries the significance of questioning one’s loyalty to the state and sacrificing self-identity by expanding progeny beyond the level of the state. This chapter analyses how the experience of migration and homecoming can further complicate these possible interpretations. In the short story “Amy Foster” (1901) by Joseph Conrad (1857–1924), a shipwreck accidentally brings the protagonist, Yanko, from his home in Eastern Europe to the English shore. Despite hostile responses from locals and the language barrier he faces in the new community, Yanko becomes involved in a romantic relationship with a local inhabitant named Amy Foster. While Amy’s love motivates Yanko to try to integrate with the hostile local community, her mistrust of him once the two are married leads to his heartbroken frustration. Ha Jin (1956–) portrays the homecoming voyage of Chen Jinli in “The Woman from New York” (2000). Far from the traditional Chinese portrayal of a glorious homecoming, Jinli’s return to her native land after a four-year absence brings the recognition that she is ostracised by her townsfolk as a traitor to her Chinese identity and to the gender roles she is expected to fulfil as a wife and mother. Yanko’s conjugal relations with Amy fail to give him a proper identity in Britain, and Jinli’s choice to return to China has a disastrous effect on her family and friends." @default.
- W4366069428 created "2023-04-18" @default.
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- W4366069428 date "2023-01-01" @default.
- W4366069428 modified "2023-09-29" @default.
- W4366069428 title "Marriage in Migration and Homecoming: Joseph Conrad’s “Amy Foster” and Ha Jin’s “The Woman from New York”" @default.
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- W4366069428 doi "https://doi.org/10.1007/978-981-19-9841-6_5" @default.
- W4366069428 hasPublicationYear "2023" @default.
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