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• W4367023024 abstract "Review| April 01 2023 Nothing but Noise: Timbre and Musical Meaning at the Edge, by Zachary Wallmark Nothing but Noise: Timbre and Musical Meaning at the Edge, by Zachary Wallmark. New York: Oxford University Press, 2022. xiii, 215 pp. Thomas Patteson Thomas Patteson THOMAS PATTESON is a member of the Musical Studies Faculty at the Curtis Institute of Music. Recent publications include a cowritten essay and two translations in the Oxford Handbook of Timbre (2021), which won the 2022 Ruth A. Solie Award from the American Musicological Society. His current research interests include the history and philosophy of musical improvisation and cross-cultural perspectives on music and consciousness. He plays instruments, too: keyboard, alto saxophone, and modular synthesizer. Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (2023) 76 (1): 249–252. https://doi.org/10.1525/jams.2023.76.1.249 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Thomas Patteson; Nothing but Noise: Timbre and Musical Meaning at the Edge, by Zachary Wallmark. Journal of the American Musicological Society 1 April 2023; 76 (1): 249–252. doi: https://doi.org/10.1525/jams.2023.76.1.249 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the American Musicological Society Search With this book, Zachary Wallmark has made an ambitious contribution to the famously elusive study of musical timbre. Efforts to integrate the sciences and the humanities, however nobly intentioned, are understandably dogged by the suspicion that one side of the equation is going to end up—to paraphrase Orwell—more equal than the other. But Wallmark succeeds admirably in avoiding the shortcomings of both the scientific desire to study sound in isolation from the messiness of human subjectivity and the humanistic reduction of musical experience to the arbitrary play of cultural difference. His book is perhaps best viewed as an attempt not so much to bridge the “two cultures” as to harmonize their best qualities. In the first chapter, Wallmark boldly proposes a conceptual model for the full spectrum of sonic phenomena, from the generative act to the arbitrary symbolic dimension of sound in human consciousness, and everything in between. This is... You do not currently have access to this content." @default.
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• W4367023024 title "<i>Nothing but Noise: Timbre and Musical Meaning at the Edge</i>, by Zachary Wallmark" @default.
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