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- W4377010060 abstract "This chapter takes a close look at William Shenstone’s management of The Leasowes, which – together with Enville and Hagley – exerted a programmatic influence on landscape thinking in the eighteenth century. Proceeding on to the poems of James Woodhouse, a labouring-class poet against emparkment, it reveals the oppressive nature of this landscape thinking on humans and nonhumans. Partly to outline the impact of Shenstone’s landscape thinking on the Romantic period, and partly to indicate the particularly pernicious permutation that arose among urban middle-class people, Samuel Taylor Coleridge’s prose and poetical writings on landscape are referred throughout. The land was never made quite as useless as it is now in the name of the public good and conservation, and the blame lies squarely at the door of people like Coleridge and their domination by a form of landscape thinking IDentified here as an aesthetics of enclosure. Through Shenstone, Woodhouse, and Coleridge, the chapter communicates the tragic consequences of this environmental aesthetics not only for the eighteenth century, but also for the relationship most English people have now with the land they live, play and work on." @default.
- W4377010060 created "2023-05-19" @default.
- W4377010060 creator A5078211547 @default.
- W4377010060 date "2022-03-08" @default.
- W4377010060 modified "2023-09-28" @default.
- W4377010060 title "Exclusionary Landscapes: Shenstone and the Development of a Romantic Aesthetics of Enclosure" @default.
- W4377010060 doi "https://doi.org/10.3366/edinburgh/9781474456470.003.0009" @default.
- W4377010060 hasPublicationYear "2022" @default.
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