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- W4377019628 abstract "Abstract This article examines how S. Ansky's 1918 play The Dybbuk, or Between Two Worlds and its subsequent adaptations on stage and screen appropriate Romeo and Juliet , transforming Shakespeare's tragedy, through Kabbalah and Jewish folklore, into one that ‘repairs’ the story of star-crossed lovers and the material world that they seek to escape. The Dybbuk is a ‘reparative tragedy’, one that intersects multiple levels of restoration, healing and repair. Generically, the play and its later stage and screen adaptations recuperate and refigure Shakespeare's tragedy; materially, it calls for the repair of past and impending trauma, suffering and severed human relationships. These levels, as well as others, culminate in the play's overriding spiritual one: the play follows the ‘reparative’ narrative of Kabbalah itself, with its goal of tikkun olam – to repair the world." @default.
- W4377019628 created "2023-05-19" @default.
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- W4377019628 date "2023-06-01" @default.
- W4377019628 modified "2023-10-01" @default.
- W4377019628 title "Between Two Worlds" @default.
- W4377019628 doi "https://doi.org/10.3167/cs.2023.350204" @default.
- W4377019628 hasPublicationYear "2023" @default.
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