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• W4378390567 abstract "Click to increase image sizeClick to decrease image size Correction StatementThis article has been corrected with minor changes. These changes do not impact the academic content of the article.Disclosure StatementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsQuoc Hieu LeLe Quoc Hieu is a researcher at the Vietnam Institute of Literature (Vietnam Academy of Social Sciences). He earned an MA in literary studies from the VNU University of Social Sciences and Humanities. His research focuses principally on film adaptation studies, literary and film theory, transnational and cross-cultural cinema, and post-war trauma. His works have been published on Asian Cinema, The International Journal of Critical Cultural Studies, and International Journal of Humanities Education. Email: hieulequoc@gmail.comNotes1 Hát bội also means masked theater, a Chinese opera variation known as hát tuồng in northern Vietnam and hát bội in southern Vietnam.2 The time when cải lương was born is still a matter of controversy among academics and artists. However, it can be assumed temporarily that cải lương appeared in Vietnam at the beginning of the 20th century, arising from South Vietnam.3 Kiều was initially composed by Nguyen Du in Nôm script with six-eight verse. Currently, there are many versions in Nôm or Quốc ngữ. Most of the multimedia texts are adapted from the versions of Kiều written in Quốc ngữ. This article selects the version of Kiều in Quốc ngữ annotated by Le Van Hoe (1953), including 3254 verses.4 Ngâm Kiều is a melodic recitation of the verses in Kiều.5 Vịnh Kiều means using the materials of Kiều, such as scenes, characters, situations, and stories, to create other couplets.6 Bình Kiều means writing commentaries on Kiều.7 Lẩy Kiều means changing a word or phrase in couplets to adapt them for one’s purposes.8 Bói Kiều means telling someone’s fortune by randomly taking a line of verse, whose meaning then indicates his/her future.9 Traditional Vietnamese opera is a Chinese opera variation known as hát tuồng in northern Vietnam and hát bội in southern Vietnam.10 A form of generally satirical musical theatre performed by Vietnamese peasants in northern Vietnam.11 Usually, the last syllable of the six-syllable line rhymes with the sixth syllable of the eight-syllable in pairs. The last syllable of the eight-syllable line rhymes with the sixth syllable of the following six-syllable line. The process is continued until the end of the poem.12 Words about old stories, thoughts, and images in old books are used to express ideas concisely (Loan 2003 Loan, Doan Anh. 2003. Điển Cố và Nghệ Thuật Sử Dụng Điển Cổ. Ho Chi Minh: Nhà xuất bản Đại học Quốc gia TP. Hồ Chí Minh. [Google Scholar], 20). Điển tích can be seen as a verbal sign, which can be transformed through media.13 The home yard of Lao Laizi (老萊) who lives in the Zhou Dynasty and, although seventy years old, often wears colorful clothes and holds a rattle to play like a child to entertain his parents." @default.
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• W4378390567 date "2023-05-26" @default.
• W4378390567 modified "2023-09-26" @default.
• W4378390567 title "Adaptation as Intersemiotic Translation: From the Tale of Kiều (Nguyen Du) to Kim Van Kieu (Nguyen Bach Tuyet)" @default.
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• W4378390567 doi "https://doi.org/10.1080/10509208.2023.2215353" @default.
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