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• W4379804551 abstract "Not Me Belinda Tran (bio) When I was first introduced to Ardine Nelson’s collaborative Women in Art project, I originally thought I would design my portrait to exemplify my artistic style. After a while I thought about the importance and impact of being a woman and an artist. I felt that the portrait should show qualities of being a female. With that in mind, once I obtained the large print of my portrait, I began brainstorming how best to portray both. I hit a mindblock while staring at the beautiful print. Something about its grandiose scale and incredible detail made it difficult to add anything on top that would obscure viewing the print’s details. Handcuffed by this, my smiling portrait hung on my wall untouched. About two months later I had a serious fight with my significant other. With tears and angry feelings raging inside me, I came home and saw the still-unmarked portrait. The image of my happy smiling self enraged me—the portrait mocked me, as it was no longer me at all. Bitterness and a detached feeling made me rip the portrait into pieces. I deliberately made sure to physically separate each part of myself, as if by separating the building blocks, I could reset who I was and what I was feeling. With the portrait in pieces the impossible barrier I felt lifted. I began moving the pieces around, constructing a new image by testing combinations based on shapes, lines, and gradients. This method felt much more natural to me as an artist. As a person it resonated with my belief that people are constantly changing and being reconstructed. Going along with this, I assembled the image and placed it upon and between magenta transparent sheets. The delicate but supportive structure helps hold the pieces together without obscuring the detail of the photo strips behind it. The final image, Not Me, speaks of what once was and what now is, with whispers of femininity and impermanence. [End Page 253] Click for larger view View full resolution Figure 1. Not Me, by Belinda Tran. [End Page 254] Belinda Tran Belinda Tran was born in Columbus, Ohio, in 1988. She received a BFA with an emphasis in art and technology from The Ohio State University in 2010. She has placed in several juried shows at the Silver Image Gallery. Her animation Tabula Rasa (2010) was shown in a group exhibition at the Wayne and Geraldine Kuhn Fine Arts Gallery in Marion, Ohio. Her 2D, 3D, and 4D artworks focus on sharing unique perspectives while provoking levels of community empathy. Tran deliberately utilizes a variety of mediums to increase the maximum potential of intercourse with her audience. She currently works at The Ohio State University creating animations for sporting events. Copyright © 2013 Frontiers Editorial Collective, Inc." @default.
• W4379804551 created "2023-06-09" @default.
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• W4379804551 date "2013-01-01" @default.
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• W4379804551 title "Not Me" @default.
• W4379804551 doi "https://doi.org/10.1353/fro.2013.a520046" @default.
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