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- W4380434528 abstract "In the introduction, I present ambient sound as a key ‘problem’ in sound studies and sonic philosophy to underline the massive and inescapable, yet still partly ignored, influence of ambient sound in the general history of sound, art and listening. Ambient sound is distinguished as the affective production of surroundability, the sensation of being surrounded by sound. On this basis, I propose a clear distinction between ecology, atmosphere and ambient sound as constituting three basic—distinct but interrelated—affective dimensions of the sonic environment. In addition, drawing on Gilles Deleuze, James Gibson, Don Ihde and others, I present the book’s overall materialist, ‘onto-aesthetic’ approach to the study of sound and listening as informed by a basic ‘double dimensionality’ between surroundability and directionality." @default.
- W4380434528 created "2023-06-14" @default.
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- W4380434528 date "2023-01-01" @default.
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- W4380434528 title "Introduction" @default.
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- W4380434528 doi "https://doi.org/10.1007/978-981-99-1755-6_1" @default.
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