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• W4380486518 abstract "The Journal of American CultureVolume 46, Issue 2 p. 161-168 ORIGINAL ARTICLE Unpeeling the banana dance: The quare fugitivity of Joséphine Baker Elizabeth Pérez, Corresponding Author Elizabeth Pérez [email protected] Correspondence Elizabeth Pérez Email: [email protected]Search for more papers by this author Elizabeth Pérez, Corresponding Author Elizabeth Pérez [email protected] Correspondence Elizabeth Pérez Email: [email protected]Search for more papers by this author First published: 12 June 2023 https://doi.org/10.1111/jacc.13460Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Baker, Alyah. “Quare Dance: Fashioning a Black, Queer, Fem(me)inist Aesthetic in Ballet.” M.A. thesis, Duke University, 2021. Baker, Jean Claude, and Chris Chase. Josephine: The Hungry Heart. Random House, 1993. Baker, Joséphine, and Marcel Sauvage. Les Mémoires de Joséphine Baker. Corréa, 1949. Barlet, Olivier. African Cinemas: Decolonizing the Gaze. Translated by Chris Turner. Zed, 2000. Baudrillard, Jean. Jean Baudrillard: Selected Writings. Stanford UP, 1988. Bennetta, Jules-Rosette. Josephine Baker in Art and Life: The Icon and the Image. University of Illinois Press, 2007. Bhabha, Homi K. The Location of Culture. Routledge, 1994. Bogle, Donald. Brown Sugar: Over One Hundred Years of America's Black Female Superstars. Continuum, 2007. Borshuk, Michael. “ Queen of the Colonial Exposition: Josephine Baker's Strategic Performance.” Critical Voicings of Black Liberation: Resistance & Representation in the Americas, edited by Kimberley Louise Phillips, Hermine D. Pinson, Hanna Wallinger, and Lorenzo Thomas. Transaction, 2003. Burns, Karen. “ A House for Josephine Baker.” Postcolonial Space(s), edited by Gülsüm Baydar Nalbantoglu and Chong Thai Wong. Princeton Architectural Press, 1997. Burt, Ramsay. Alien Bodies: Representations of Modernity, Race, & Nation in Early Modern Dance. Routledge, 1998. Camiscioli, Elisa. “Producing Citizens, Reproducing the ‘French Race’: Immigration, Demography, and Pronatalism in Early Twentieth-Century France.” Gender & History, vol. 13, no. 3, 2001, pp. 593–621. Cheng, Anne Anlin. Second Skin: Josephine Baker & the Modern Surface. Oxford UP, 2010. Cheng, Anne Anlin. “ Skin Deep: Josephine Baker and the Colonial Fetish.” Camera Obscura, no. 23, vol. 3, 2008, pp. 35–79. Dudziak, Mary L. “Josephine Baker, Racial Protest, and the Cold War.” Journal of American History, vol. 81, no. 2, 1994, pp. 543–570. Feldman, Martha. “Fugitive Voice.” Representations, vol. 54, 2021, pp. 10–22. Francis, Terri. 2021. Josephine Baker's Cinematic Prism. Bloomington: Indiana UP. Gavard-Perret, Jean-Paul. “Le voile de la nudité.” Gradhiva, vol. 25, 1999, pp. 14–25. Groo, Katherine. “Shadow Lives: Josephine Baker and the Body of Cinema.” Framework, vol. 54, no. 1, 2013, 7–39. Gumbs, Alexis Pauline. Spill: Scenes of Black Feminist Fugitivity. Durham: Duke UP, 2016. Hammond, Bryan, and O'Connor, Patrick. Josephine Baker. Little, Brown, 1988. Hartman, Saidiya V. Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval. W.W. Norton, 2019. Henderson, Mae G. “Josephine Baker and La Revue Nègre: From Ethnography to Performance.” Text and Performance Quarterly, vol. 23, no. 2, 2003, pp. 107–133. hooks, bell. “Micheaux: Celebrating Blackness.” Black American Literature Forum, vol. 25, no. 2, 1991, pp. 351–60. Johnson, E. Patrick. “‘Quare’ Studies, or (Almost) Everything I Know about Queer Studies I Learned from My Grandmother.” Text and Performance Quarterly, vol. 21, no. 1, 2001, pp. 1–25. Kraut, Anthea. “Between Primitivism and Diaspora: The Dance Performances of Josephine Baker, Zora Neale Hurston, and Katherine Dunham.” Theatre Journal, vol. 55, no. 3, 2003, pp. 433–450. Martin, Wendy. “ ‘Remembering the Jungle’: Josephine Baker and Modernist Parody.” Prehistories of the Future: The Primitivist Project and the Culture of Modernism, edited by Elazar Barkan and Ronald Bush. Stanford UP, 1995. McClintock, Anne. Imperial Leather: Race, Gender, and Sexuality in the Colonial Contest. Routledge, 1995. Mitchell, Robin. Vénus Noire: Black Women and Colonial Fantasies in Nineteenth-Century France. University of Georgia Press, 2020. Muraz, Gaston. “Les cache-sexe du Centre-Africain.” Journal de la société des africanistes, vol. 2, 1932, pp. 103–112. Nashashibi, Rami. “The Blackstone Legacy, Islam, and the Rise of Ghetto Cosmopolitanism.” Souls, vol. 9, no. 2, 2007, 123–31. Nenno, Nancy. “ Femininity, the Primitive, and Modern Urban Space: Josephine Baker in Berlin.” Women in the Metropolis: Gender and Modernity in Weimar Culture, edited by Katharina Ankum. University of California Press, 1997. Peiretti-Courtis, Delphine. “Sauvagerie, édénisme ou érotisme? Regards médicaux sur la nudité africaine (1780-1950).” Dans Outre-Mers, vol. 1, no. 398–399, 2018, pp. 45–62. Ramel-Cals, Jeanne. “Souvenir de l'Exposition coloniale.” Les Œuvres Libres, vol. 126, 1931, pp. 5–22. Rose, Phyllis. Jazz Cleopatra: Josephine Baker in Her Time. Doubleday, 1989. Santana, Dora Silva. “Mais Viva! Reassembling Transness, Blackness, and Feminism.” TSQ, vol. 6, no. 2, 2019, pp. 210–222. Sedgwick, Eve Kosofsky. Between Men: English Literature and Male Homosocial Desire. Columbia UP, 1992. Shange, Savannah. “Play Aunties and Dyke Bitches: Gender, Generation, and the Ethics of Black Queer Kinship.” The Black Scholar, vol. 49, no. 1, 2019, pp. 40–54. Sharpley-Whiting, T. Denean. Black Venus: Sexualized Savages, Primal Fears, and Primitive Narratives in French. Duke UP, 1999. Shohat, Ella, and Robert Stam, Unthinking Eurocentrism: Multiculturalism and the Media. Routledge, 1994. Smith, Rommi, with music by Jenni Molloy. “ The Map Where We Meet and Other Queer-Quare Stories: An Essay-as-Performance Set to a Double-Bass Score.” Imagining Queer Methods, edited by Amin Ghaziani and Matt Brim, NYU Press, 2019, pp. 207–229. Sojoyner, Damien M. “Another Life is Possible: Black Fugitivity and Enclosed Places.” Cultural Anthropology, no. 32, vol. 4, 2017, 514–536. Torgovnick, Marianna. Gone Primitive: Savage Intellects, Modern Lives. University of Chicago Press, 1991. Walcott, Rinaldo. “Freedom Now Suite: Black Feminist Turns of Voice.” Small Axe, no. 22, vol. 3, 2018, 151–159. Warner, Marina. “ Biography of the Banana.” Independent on Sunday, October 18, 1998, https://www.independent.co.uk/arts-entertainment/biography-of-the-banana-1179167.html. Accessed 15 March 2023. Volume46, Issue2Special Issue: Black Women, The Body, and DanceJune 2023Pages 161-168 ReferencesRelatedInformation" @default.
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