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• W4380624495 abstract "The Journal of American CultureVolume 46, Issue 2 p. 137-144 ORIGINAL ARTICLE Black and Blue: The women who reclaimed tap Kat Echevarría Richter, Corresponding Author Kat Echevarría Richter [email protected] Correspondence Kat Echevarría Richter Email: [email protected]Search for more papers by this author Kat Echevarría Richter, Corresponding Author Kat Echevarría Richter [email protected] Correspondence Kat Echevarría Richter Email: [email protected]Search for more papers by this author First published: 14 June 2023 https://doi.org/10.1111/jacc.13461Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Amin, Takiyah Nur. “ African-American Dance Revisited: Undoing Master Narratives in the Studying and Teaching of Dance History.” Rethinking Dance History, Issues and Methodologies, edited by Geraldine Morris and Larraine Nicholas. Routledge, 2018, pp. 44–55. Asante, Kariamu Welsh. African Dance: An Artistic, Historical, and Philosophical Inquiry. Africa World Press, 1997. “ Black and Blue: Broadway's Red-Hot Revue.” Ebony, Sep. 1989, pp. 124–128. “ Black and Blue.” Variety, 25 Dec. 1985, pp. 64, 67. “ Broadway Master Tap Dancers, Gelan Lambert & Germaine Goodson, Plus Dr. Linda Hamilton.” YouTube, Uploaded by InsideNYCDance, 26 Oct. 2012, www.youtube.com/watch?v=XBXQJNfjXu8. Bufalino, Brenda. Tapping the Source: Tap Dance Stories, Theories, and Practice. Codhill Press, 2004. Coates, Ta-Nehisi. Between the World and Me. Random House, 2015. Collegium for African Diaspora Dance. 2022, www.cadd-online.org/. Crenshaw, Kimberlé. “ Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics.” University of Chicago Legal Forum, 1989, p. 139. DeFrantz, Thomas. “Being Savion Glover: Black Masculinity, Translocation, and Tap Dance” MIT, (n.d.). web.mit.edu/people/defrantz/Documents/begloverdoneshort.pdf. DeFrantz, Thomas. “Theorizing Connectivities: African American Women in Concert Dance.” The Journal of Pan African Studies, vol. 4, no. 6, 2011, pp. 56–75. Dixon-Gottchild, Brenda. Digging the Africanist Presence in American Performance. Greenwood, 1998. Dixon-Gottchild, Brenda. The Black Dancing Body: A Geography from Coon to Cool. Palgrave Macmillan, 2003. George-Graves, Nadine. The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theatre, 1900–1940. St. Martin's Press, 2000. Goodson, Germaine. Interview. Conducted by Kat Echevarría Richter, 4 Nov. 2022. Hazzard-Gordon, Katrina. Jookin’: The Rise of Social Dance Formations in African-American Culture. Temple University Press, 1990. Hill, Constance Valis. Tap Dancing America: A Cultural History. Oxford UP, 2010. Ingram, Germaine and Debora Kodish. Stepping in Time. Philadelphia Folklore Project, vol. 8, no. 2, 1994. The International Association of Blacks in Dance. The International Association of Blacks in Dance, Inc., https://www.iabdassociation.org/. n.d. Kelly, Kevin. “Black and Blue: Broadway's Best New Old Musical.” The Boston Globe, 2 Feb. 1989, p. 69. Kuchwara, Michael. “‘Black and Blue,’ a Musical Revue, Opens on Broadway” Associated Press, 27 Jan. 1989, https://apnews.com/article/29e0ebe511da906abe83292b9aab789b. Kraut, Anthea. “Between Primitivism and Diaspora: The Dance Performances of Josephine Baker, Zora Neale Hurston, and Katherine Dunham.” Theatre Journal, vol. 55, no. 3, 2003, pp. 433–50. McCarthy-Brown, Nyama. Dance Pedagogy for a Diverse World: Culturally Relevant Teaching in Theory, Research and Practice. McFarland, 2017. Mitchell, Deborah. “Me and Mr. Gaines.” (n.d.) www.njtap.org/history. Accessed 3 Oct. 2022. Mitchell, Deborah. “ Oral History Interview.” Conducted by Constance Valis Hill. New York Public Library, 2020. Mitchell, Deborah. Interview. Conducted by Kat Echevarría Richter. 6 Oct. 2021. Morrison, Margaret. “Tap and Teeth: Virtuosity and the Smile in the Films of Bill Robinson and Eleanor Powell” Dance Research Journal, vol. 46, no. 2, 2014, pp. 21–36. Program for Black and Blue at the Minskoff Theatere, New York. 1989. https://playbill.com/production/black-and-blue-minskoff-theatre-vault-0000002338. Resnikova, Eva. “Black and blue on Broadway.” The New Criterion, April 1989, p. 66. Rich, Frank. “Review/Theater; Black Blues and Jazz.” New York Times, 27 Jan. 1989, https://www.nytimes.com/1989/01/27/theater/review-theater-black-blues-and-jazz.html. Richter, Kat Echevarría. “How High the Moon: Deborah Mitchell's Archiving Black Vernacular Dance through the New Jersey Tap Ensemble.” The Dancer Citizen, 15th Issue, Nov. 2022. Sontag, Susan. “‘Black and Blue’; South of the Border.” New York Times, 2 Apr. 1989, https://www.nytimes.com/1989/04/02/theater/l-black-and-blue-south-of-the-border-402589.html. Terry-Morgan, Elmo. “Noise/Funk: Fo’ Real Black Theatre on ‘da Great White Way.” African American Review, vol. 31, no. 4, 1997, pp. 677–686. “ The Pickaninny Dance, from the 'Passing Show' (1894).” YouTube. Uploaded by Classic Movies, 25 Aug 2017, https://www.youtube.com/watch?v=LDxgGk-iDyQ. Thomas, Sonja. “Educated Feet: Tap Dancing and Embodied Feminist Pedagogies at a Small Liberal Arts College.” Feminist Teacher, vol. 27, no. 2–3, 2017, pp. 196–210. Thomas, Sonja. “Black Soundwork, Knowledge Production, and the ‘Debate’ Over Tap Dance Origins” Resonance: The Journal of Sound and Culture. vol. 1, no. 4, 2020, pp. 412–421. Thompson, Katrina Dyonne. Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery. University of Illinois Press, 2014. Watson, Robyn. “Op-Ed: Why Tap Classes Should Be Required in College Curriculums.” Dance Teacher Magazine, 4 Sep. 2020. Walker, Ayo. “Traditional White Spaces: Why All-Inclusive Representation Matters.” Journal of Dance Education, vol. 20, 2020, pp. 157–167. Walker, Dianne. “Dianne Walker on the New Generation of Female Tap Dancers.” Dance Magazine, 4 Feb. 2022. www.dancemagazine.com/new-generation-of-female-tap-dancers/. Accessed on 9 Nov. 2022. Walker, Dianne. Interview by Black Dance Stories. blackdancestories.org/artist/dianne-walker/. Accessed on 11 Oct. 2022. Willis, Cheryl. “ Tap Dance: Manifestation of the African Aesthetic.” African Dance: An Artistic, Historical and Philosophical Inquiry, edited by Kariamu Welsh Asante, Africa World Press, 1997, pp. 145–160. Winer, Linda. “Leaving Broadway ‘Black and Blue’” Newsday, 27 Jan. 1989, p. 185. Volume46, Issue2Special Issue: Black Women, The Body, and DanceJune 2023Pages 137-144 ReferencesRelatedInformation" @default.
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