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- W4380880665 abstract "Popular theatre makes strange bedfellows: artists and activists, cultural workers and community organizers, theatre and social action. I found myself in this world by accident in 1982, writing a play about people who were handicapped. They ended up making their own play, with me acting more as dramaturge than playwright, and I became excited by the notion of ordinary people telling their stories. I left the so-called mainstream theatre, started a community arts company in Toronto 1 and began putting my theatre friends together with community workers I was meeting to see what would happen. I learned about popular education. I wandered into a community legal clinic to encorporate the company, and met activist and dub poet Lillian Allen who was working there at the time. When I told her what I was up to, she said, “Oh, you do popular theatre.” “What’s that?” I asked." @default.
- W4380880665 created "2023-06-17" @default.
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- W4380880665 date "1994-03-01" @default.
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- W4380880665 title "“Playing With Tension” What ‘voice’ does popular theatre speak?" @default.
- W4380880665 doi "https://doi.org/10.3138/ctr.78.001" @default.
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