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- W4380930039 abstract "As Nick Hutchinson, head of the acting and playwriting section of the English language division of the National Theatre School, puts it: “Directing is a difficult craft to teach and a difficult craft to learn, because to be a good director, you have to learn all the crafts of the theatre.” Hutchinson was speaking on a panel about actor expectations at the recent Directors’ Colloquium at Calgary, Canada’s first major attempt to engage directors in a comprehensive examination of the technical and theoretical issues involved in their art. Why has this not been previously attempted? Certainly part of the answer is that directing is still relatively new to the process of creating theatre: directors did not begin to appear until the mid-19th century, before which, actor-managers usually ran theatre companies. Consequently, the art of directing still is struggling to claim its identity, still is delineating its borders amongst the playwrights, actors, designers, and technicians who all collaborate on this most ephemeral form. Who is in control of what in the creative process understandably remains in a state of flux." @default.
- W4380930039 created "2023-06-17" @default.
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- W4380930039 date "1987-09-01" @default.
- W4380930039 modified "2023-09-25" @default.
- W4380930039 title "The Directors’ Colloquium at Calgary The Director’s Role: 1/ The Workshops: Transformations" @default.
- W4380930039 doi "https://doi.org/10.3138/ctr.52.001" @default.
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