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- W4380931142 abstract "From the 20th to the 26th of October of last year, in commemoration of the 30th anniversary of Bertholt Brecht’s death, the University of Toronto harnessed the organizational drive of Pia Kleber and some of millionaire Ed Mirvish’s dollars to host Biecht: 30 Years After, a retrospective and re-assessment of the impact of the Marxist German playwright/director. The prominence of practical theatre workers and their companies distinguished this event from other academic symposia, with visitors attending from Europe, the US, Latin America, and both French and English Canada. The public relations coup anchoring the event was the North American debut of the company Brecht founded in the 1950s, the celebrated Berliner Ensemble, which performed two of Brecht’s plays at Mirvish’s rococo palace, The Royal Alexandra Theatre. The disappointing Berliner, and the exciting example of a more modest company – Scotland’s 7:84 – helped shape a lesson to Canadians interested in developing political (read: leftist) theatre – namely that there is a semiotics of affluence, and that official culture cannot agitate to change a society." @default.
- W4380931142 created "2023-06-17" @default.
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- W4380931142 date "1987-03-01" @default.
- W4380931142 modified "2023-09-25" @default.
- W4380931142 title "Toronto Brecht: 30 Years After" @default.
- W4380931142 doi "https://doi.org/10.3138/ctr.50.013" @default.
- W4380931142 hasPublicationYear "1987" @default.
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