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- W4380931208 abstract "“Malice,” wrote Thomas Mann in The Magic Mountain, “is the animating spirit of criticism.” There can be few playwrights, directors and actors who would not rush to endorse Mann’s pronouncement. The very mention of the word critic is enough to make most practising artists, whatever their medium, foam at the mouth like a blood-hungry pit-bull. The fact that Mann went on to describe criticism as “the beginning of progress and enlightenment,” is a conclusion that would doubtless be challenged by those who see themselves as the hapless victims of a loathsome trade. Yet, ironically, for all the scorn and contempt in which critics are held, artists are often the first to complain when critics fail to pay them attention. Somehow, beyond the dark veil of pain and frustration, there is recognition that the critic does indeed have a role to play, perhaps even a crucial one. The problem is how that role is perceived." @default.
- W4380931208 created "2023-06-17" @default.
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- W4380931208 date "1988-12-01" @default.
- W4380931208 modified "2023-09-25" @default.
- W4380931208 title "1 The Medium is the Critic" @default.
- W4380931208 doi "https://doi.org/10.3138/ctr.57.006" @default.
- W4380931208 hasPublicationYear "1988" @default.
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