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- W4381856189 abstract "Hymns played a role in envoicing the politics of protest in England long before their integration in the established Church – and do so to this day. Yet it was nineteenth-century radical movements that embraced the hymn as in many ways the ideal musical form. From the bloody field of Peterloo to the secularising South Place Society, from the mass meetings of Chartists to the top-down productions of the Fabian socialists, the century resounded with this increasingly familiar music." @default.
- W4381856189 created "2023-06-25" @default.
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- W4381856189 date "2023-06-23" @default.
- W4381856189 modified "2023-09-23" @default.
- W4381856189 title "(Special Section) The Hymn as Protest Song in England and its Empire, 1819–1919" @default.
- W4381856189 doi "https://doi.org/10.17132/2377-231x.1247" @default.
- W4381856189 hasPublicationYear "2023" @default.
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