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- W4381930271 abstract "Abstract The performer’s physical expressiveness and bodily interpretation and delivery of his material were essential to the experience of oratory, theater, or liturgy, despite the nearly unrecoverable nature of such details from the surviving written materials. In this chapter, literary and material clues that can help expand our understanding of the embodied performance of liturgical poems are teased out: evidence of “embodied” practices and experiences in the small sense of the performer’s physical presence, and in the large sense of the audience’s experience of it in an architectural context. Various means by which the performers of hymns could have tapped into the vast physical repertoires of oratory and theater as a means for shaping how their poems were understood are considered. Similarly, diverse ways in which the built spaces of churches and synagogues were themselves essential components of the embodied experience of these works are examined. Attention to the dynamic interactions between humans and performance space are highlighted, presenting an understanding of built spaces as instruments of sight and sound, played by both performer and congregation" @default.
- W4381930271 created "2023-06-25" @default.
- W4381930271 creator A5046432607 @default.
- W4381930271 date "2023-07-12" @default.
- W4381930271 modified "2023-09-27" @default.
- W4381930271 title "Sounds, Sightlines, and Senses:Bodies and Nonverbal Literacy" @default.
- W4381930271 doi "https://doi.org/10.1093/oso/9780190065461.003.0006" @default.
- W4381930271 hasPublicationYear "2023" @default.
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