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- W4381997029 abstract "Extract My idea of global cinema began a decade ago when I was still finalizing my first book, Cinematic Interfaces: Film Theory after New Media (Routledge, 2013). I had initially thought of writing a sequel to this book by expanding its film-based interface theory to new media works, but many changes redirected my focus. Among them, my experience living in the United Arab Emirates (UAE) while teaching at New York University Abu Dhabi may be worth noting. The oil-rich Gulf state was the epitome of globalization, with a nearly 90 percent expatriate population and an open attitude toward hot trends and cutting-edge trades, which transformed the endless desert into an ultra-urban landscape with marvelous skyscrapers. In addition, I found myself in a more transcultural and multiethnic society than anywhere else, a secular liberal Muslim country tolerant of other religions, unlike Western prejudices about the Middle East. A pioneering global liberal arts college, NYU Abu Dhabi was more colorful than NYU New York; in any given class of fifteen students there were typically about ten nationalities, including many Americans and Europeans. Teaching such a diverse, brilliant, and open-minded future generation was a sheer pleasure." @default.
- W4381997029 created "2023-06-26" @default.
- W4381997029 date "2023-08-16" @default.
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- W4381997029 title "Preface" @default.
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- W4381997029 doi "https://doi.org/10.1093/oso/9780190093785.002.0006" @default.
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