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- W4382282114 abstract "This chapter offers a study of gesture and performance in The Souvenir (Joanna Hogg, 2019), a film in which first-time actor Honor Swinton Byrne plays Julie, a fledgling filmmaker and film student. The Souvenir is an important and unusual film when it comes to nonprofessional performance for two key reasons. Firstly, unlike many other nonprofessional actors—who were “discovered” in the streets, come from modest backgrounds, and had no significant connection with screen acting—Swinton Byrne is the daughter of Tilda Swinton, an internationally renowned star and a seasoned actor. Secondly, The Souvenir is a reflexive film partly based on Joanna Hogg’s life and depicts the filmmaker’s formative years as she attends film school. This chapter argues that Swinton Byrne’s uncommon status significantly informs Julie’s performance, enabling the film to vividly explore how, through trials and errors, a young filmmaker not only progressively discovers her artistic voice but also acquires a deeper understanding of herself as a social performer." @default.
- W4382282114 created "2023-06-28" @default.
- W4382282114 creator A5054674130 @default.
- W4382282114 date "2023-01-01" @default.
- W4382282114 modified "2023-09-25" @default.
- W4382282114 title "Honor Swinton Byrne in The Souvenir: Self-Consciousness and Privilege" @default.
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- W4382282114 doi "https://doi.org/10.1007/978-3-031-32382-9_7" @default.
- W4382282114 hasPublicationYear "2023" @default.
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