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• W4384341496 abstract "The Journal of Popular CultureEarly View Original Article Liar Like Me: Deception Frequency and Evaluation in Children's Television Programing Marissa Lammon, Corresponding Author Marissa Lammon [email protected] orcid.org/0000-0002-1640-091X Search for more papers by this author Marissa Lammon, Corresponding Author Marissa Lammon [email protected] orcid.org/0000-0002-1640-091X Search for more papers by this author First published: 13 July 2023 https://doi.org/10.1111/jpcu.13196Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Adalian, Josef. “Inside the Binge Factory”, Vulture, 11 Jun. 2018. https://www.vulture.com/2018/06/how-netflix-swallowed-tv-industry.html#comments “ April Fools.” Glitter Force, written and directed by O. Takashi, Toei Animation, 2015. Babbie, Earl. The Practice of Social Research. 15th ed., Cengage, 2020. “ Bad Hair Day.” Alexa and Katie, written by Heather Wordham and Ray Lancon, directed by Andy Cadiff, Netflix, 2007. Bandura, Albert. Social Learning Theory. Prentice Hall, 1977. Barnes, John A. A Pack of Lies. Cambridge UP, 1994. “ Basketball.” Alexa and Katie, written by Heather Wordham and Matthew Carlson, directed by Jeff Melman, Netflix, 2007. “ Bato of the Water Tribe.” Avatar: The Last Airbender, written by Michael D. DiMartino and Bryan Konietzko, directed by Giancarlo Volpe, Nickelodeon Animation Studios, 2007. 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