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- W4384693996 abstract "This article explores the technique of rilievo (Italian for “relief”) employed in Renaissance painting to form a three-dimensional object, usually a figure, which stands out from the background. Transferred to philosophical and literary writing, rilievo is used to shape the two-dimensional medium of the text and carve out a concept that stands in a negative relation with the empirical world. Writing, like the work of art, includes what it appropriates from the empirical world, presents it in a new form, and affirms the existence of what is not visible in the material alone. Relying on Theodor W. Adorno’s dialectical understanding of the artwork’s self-negation and Maurice Blanchot’s writing of desubjectivation, I argue that, unlike the additive process of shaping a figure or a concept, negative rilievo is the process of recovering constitutive absence." @default.
- W4384693996 created "2023-07-20" @default.
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- W4384693996 date "2023-07-15" @default.
- W4384693996 modified "2023-10-08" @default.
- W4384693996 title "Carving out the absence within" @default.
- W4384693996 doi "https://doi.org/10.59391/inscriptions.v6i2.220" @default.
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