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- W4384695291 abstract "The aspiration to realize a ‘true’ representation of reality in cinema, as advanced by the Bazinian concept of “total cinema,” is anticipated through the technological changes of filmmaking introduced in French cinema during the 1960s, and the dominant phenomenological approach to film criticism within France. This thesis examines the critical reflections and theoretical contributions of both Jean Rouch and Edgar Morin, and their attempt at achieving ‘total cinema’ at the advent of the 1960s. Additionally, this thesis illustrates the complexities surrounding the Bazinian concept of ‘total cinema,’ and the critical considerations of mimesis in art. By rectifying the dominant notions surrounding mimesis, alongside an analysis of Chronicle of a Summer (1961) what can be achieved is an understanding of the filmic image as both technical and psychological, combining the use of specific filming techniques that enhance the viewer’s relation to the image to achieve a work of “total cinema.”" @default.
- W4384695291 created "2023-07-20" @default.
- W4384695291 creator A5003986206 @default.
- W4384695291 date "2023-07-18" @default.
- W4384695291 modified "2023-09-23" @default.
- W4384695291 title "Troubling Truth: Mimesis, Total Cinema, and Chronicle of a Summer" @default.
- W4384695291 doi "https://doi.org/10.22215/etd/2023-15529" @default.
- W4384695291 hasPublicationYear "2023" @default.
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