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- W4384928189 abstract "The aim of this paper is to highlight the sacred and secular character of the Xesyrtos or Gikna dance in the community of Asvestades in Thrace in Greece. In particular, this paper intends to highlight the difference between the sacred and the secular and the way this dichotomy is reflected in the dance under study. Data was gathered through the ethnographic method. The sacred/secular dichotomy, as proposed in Leach's (1976) theoretical model, is used to analyze the data. Further, Laban's notation system (Hutchinson, 2005; Koutsouba, 2005), was used to record the choreographic compositions of Xesyrtos or Gikna dance, while for the analysis of their structure and form, as well as their codification, the structural-morphological and typological method of analysis was applied. Finally, for the presentation and interpretation of the data, Geertz’s model of thick description (2003) was adopted. From the data analysis it was found that the Xesyrtos and Gikna dances are danced in exactly the same way, but are clearly separated and demarcated based on the intentions of the community residents related to the performed function of the dance event." @default.
- W4384928189 created "2023-07-22" @default.
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- W4384928189 date "2023-07-19" @default.
- W4384928189 modified "2023-09-24" @default.
- W4384928189 title "The Sacred and The Secular in Dance: One Dance, Two Different Functions" @default.
- W4384928189 doi "https://doi.org/10.24018/theology.2023.3.4.119" @default.
- W4384928189 hasPublicationYear "2023" @default.
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