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• W4385712372 abstract "Click to increase image sizeClick to decrease image size Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsAdam R. RosenthalAdam R. Rosenthal is Assistant Professor of Global Languages and Cultures at Texas A&M University. He is the author of Poetics and the Gift: Reading Poetry from Homer to Derrida (2022), and editor of ‘Derrida’s Classroom’, a special issue of the journal Poetics Today 42.1 (2021). His essays have appeared in SubStance, Modern Language Notes, Research in Phenomenology, Studies in Romanticism, Oxford Literary Review and Paragraph, and he is an Associate Editor for the journal Derrida Today. His second book, Prosthetic Immortalities, is forthcoming with the Posthumanities series at Minnesota University Press. Email: arrosenthal@tamu.eduNotes1 Derrida, “Survivre,” 130. All translations from the French are mine.2 Ibid., 130–131.3 Ibid., 131.4 de Man, “Literary History and Literary Modernity,” 148.5 Ibid., 152.6 Ibid., 154.7 For Mendicino and Zechner’s comments, see the introduction to this special issue.8 “prelude, n.” OED Online. June 2022. Oxford University Press. https://www-oed-com.srv-proxy1.library.tamu.edu/view/Entry/150227?rskey=9jM9do&result=1, accessed August 01, 2022.9 Wordsworth, The Excursion, 38.10 For a very abbreviated textual history of “The Prelude,” see the “Preface” to Wordsworth, The Prelude: 1799, 1805, 1850, ix–xiii. As the editors point out, ‘No literary masterpiece has a more complicated textual history than The Prelude […] Aside from notebooks that contain isolated drafts, seventeen major Prelude manuscripts survive in the Wordsworth Library at Grasmere’ (ix). All further references to The Prelude will be to this edition, unless otherwise noted.11 For the classic accounts of The Prelude’s complex temporal structure, see especially Hartman’s “The Via Naturaliter Negativa,” M.H. Abrams’ Natural Supernaturalism, and Mary Jacobus’ Romanticism, Writing and Sexual Difference.12 Wordsworth, The Prelude, 478.13 On this, see especially Coleridge’s letter to Wordsworth from 10 September 1799, where he writes: ‘I am anxiously eager to have you steadily employed on “The Reclude”…and I wish you would write a poem, in blank verse, addressed to those, who, in consequence of the complete failure of the French Revolution, have thrown up all hopes of the amelioration of mankind, and are sinking into an almost epicurean selfishness, disguising the same under the soft titles of domestic attachment and contempt for visionary philosophies. It would do great good, and might form a part of “The Recluse”, for in my present mood I am wholly against the publication of any small poems’ (527).14 On this logic, see the reading of The Prelude offered in Rosenthal’s Poetics and the Gift, 83-120.15 The Prelude (1805), 478–480.16 Ibid., 482.17 The Prelude (1799), 26.18 Wordsworth, The Major Works, 132–133.19 Wordsworth, Home at Grasmere, 95–97.20 The Prelude, 476–478.21 On Wordsworth’s relationship to Raisley Calvert, see especially Matlak’s The Poetry of Relationship (45–51) and Johnston’s The Hidden Wordsworth." @default.
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• W4385712372 title "Restarting <i>The Prelude</i>" @default.
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