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- W4386122479 abstract "Abstract Julia Kristeva considers that writing fiction can be a form of psychoanalysis. This is evident in Le Vieil Homme et les loups (1991), an autofictional retelling of the events surrounding the death of her father in communist Bulgaria. In this detective novel, Kristeva’s traumatic experiences are interwoven with a tale of an old man whose world is threatened by hordes of wolves. Infused with a sense of displacement, uncertainty, and instability, Le Vieil Homme draws on Ovid’s Metamorphoses to highlight the dangers to society posed by increasing indifference and banalization. By offering a close reading of the novel, this chapter responds to Kristeva’s request that the reader delve deeply rather than giving it a superficial reading. Her wide use of intertextual references and practices is in part self-referential, a reminder of her role in developing intertextuality. This intertextuality allows Kristeva to be inspired by old forms to tell of something new, thereby amplifying and enriching the novel’s meaning and import. An allegorical social commentary, the implications of which still resonate today, Le Vieil Homme reflects Kristeva’s fears for Western civilization, coloured by her formative experiences in Eastern Europe, and exemplified by the dangers threatening the continued existence of the Latin language and its poets. However, by employing Ovid’s enduring words and myths, Kristeva provides a chink of optimism. Adopting the great poet’s mantle, she offers a potent demonstration of his lasting staying-power, giving witness to the final word of the Metamorphoses, ‘Vivam’." @default.
- W4386122479 created "2023-08-25" @default.
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- W4386122479 date "2023-08-03" @default.
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- W4386122479 title "Kristeva’s Ovidian World" @default.
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- W4386122479 doi "https://doi.org/10.1093/oso/9780192895387.003.0012" @default.
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