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- W4386146475 abstract "Abstract Many fans of musical theatre first encounter musicals not via live stage performances but through cast recordings, published scripts, and video recordings. These media shape the musical theatre repertory and fix audience expectations of the titles in the repertory. Those elements of a musical that are most fluid are often those not fully documented in the most popular recording or recordings of the title. This introduction first attempts to define the repertory of musical theatre in the early 21st century by surveying the titles that are most frequently produced at resident theatres across the country and then summarizes the ways in which the various elements of musicals have been seen as fixed or fluid by previous editors and scholars." @default.
- W4386146475 created "2023-08-25" @default.
- W4386146475 creator A5083248882 @default.
- W4386146475 date "2023-10-25" @default.
- W4386146475 modified "2023-09-27" @default.
- W4386146475 title "Introduction" @default.
- W4386146475 doi "https://doi.org/10.1093/oso/9780190073718.003.0001" @default.
- W4386146475 hasPublicationYear "2023" @default.
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