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- W4386516616 abstract "This study delves into the concept of true listening in acting and its challenges, originating from the author's experiences in acting education. Feedback consistently noted issues with genuine listening, despite the author's belief in their attentive listening, leading to a perceived lack of engagement. The study explores the essence of true listening, emphasizing its significance in Chinese acting education alongside true seeing and true touching. It identifies two key aspects: external attention and responsive engagement to stimuli. The study uncovers phenomena like arrogant listening where actors memorize lines and anticipate responses, sidelining actual listening, and inferior listening driven by line memorization anxiety. Additionally, actors' tendency to pre-plan improvisation, termed pre-set listening, hinders responsiveness. The notion of isolated listening parallels modern detachment from information. To address these issues, the study recommends utilizing Stanislavsky's system and the Meisner technique. Stanislavsky's creative state concept fosters genuine listening, while exercises encourage authentic partner exchanges. The Meisner technique cultivates present-moment engagement through truth-sharing exercises. The study concludes with suggestions for Chinese acting instructors, aiming to enhance acting education by illuminating true listening and strategies to overcome challenges." @default.
- W4386516616 created "2023-09-08" @default.
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- W4386516616 date "2023-09-03" @default.
- W4386516616 modified "2023-10-16" @default.
- W4386516616 title "What “True Listening” Means in Terms of Acting? How to Train Actors Listening Truly?" @default.
- W4386516616 cites W1095069995 @default.
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- W4386516616 doi "https://doi.org/10.54097/ijeh.v10i2.11582" @default.
- W4386516616 hasPublicationYear "2023" @default.
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