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• W4386540922 abstract "Book Review| September 01 2023 Review: Chinese Film: Realism and Convention from the Silent Era to the Digital Age, by Jason McGrath Chinese Film: Realism and Convention from the Silent Era to the Digital Age, by Jason McGrath Jing Wang Jing Wang JING WANG is an assistant professor of film and media at Emory University. She is currently working on a book project, tentatively titled Globalizing Independent Cinema: Transnational Circulation of the Independent Chinese Documentary (1991–2017). Her academic work has been published in academic journals such as the Asian Journal of Communication, Contemporary Cinema, and the Velvet Light Trap, and has a publication forthcoming in JCMS: Journal of Cinema and Media Studies. jing.wang4@emory.edu Search for other works by this author on: This Site PubMed Google Scholar jing.wang4@emory.edu BOOK DATA Jason McGrath, Chinese Film: Realism and Convention from the Silent Era to the Digital Age. Minneapolis: University of Minnesota Press, 2022. $120 cloth; $30 paper. 424 pages. Film Quarterly (2023) 77 (1): 106–107. https://doi.org/10.1525/fq.2023.77.1.106 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Jing Wang; Review: Chinese Film: Realism and Convention from the Silent Era to the Digital Age, by Jason McGrath. Film Quarterly 1 September 2023; 77 (1): 106–107. doi: https://doi.org/10.1525/fq.2023.77.1.106 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentFilm Quarterly Search BOOK DATA Jason McGrath, Chinese Film: Realism and Convention from the Silent Era to the Digital Age. Minneapolis: University of Minnesota Press, 2022. $120 cloth; $30 paper. 424 pages. Chinese Film: Realism and Convention from the Silent Era to the Digital Era delves deeply into the complexities and dynamics of cinematic realism as it has evolved in Chinese film history. Eschewing an ahistorical conceptualization of cinematic realism, Jason McGrath breaks new ground by instead proposing a more historically situated, contextual understanding of realism in Chinese cinema. He proposes six conceptual models—the ontological, the perceptual, the fictional, the social, the prescriptive, and the apophatic—to describe discourses of realism in films from the silent period of the 1920s into the digital era of the 2010s. These categories describe the dialectical relationship between the fictional worlds of Chinese films and social realities in China. Organized around the intricate associations between various claims... You do not currently have access to this content." @default.
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• W4386540922 title "Review: <i>Chinese Film: Realism and Convention from the Silent Era to the Digital Age</i>, by Jason McGrath" @default.
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