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- W4386688507 abstract "As in Europe, the piano reached the height of its popularity in the mid- to late nineteenth century in Brazil. Its presence in cultural life increased significantly, with performances in concert halls, theatres, and even cafés. Nocturnes — particularly Chopin's — were fre quently played at home and in public venues. Leopoldo Miguéz (1852–1902), considered at the time to be influenced by Wagner, Liszt, and the so-called Zukunftsmusik , was the first Brazilian composer to write a symphony, a violin sonata, and a symphonic poem. This ar ticle provides an overview of Miguéz's piano Nocturnes Opp.10 and 20/1 in the context of their relationship to contemporaneous Brazilian politics and his compositional practice. An in-depth analysis of the two nocturnes aims to map out his style, taking as parame ters his implementation of nineteenth-century constructive procedures previously established in analyses of his Violin Sonata Op.14 and his Allegro Appassionato Op.11 for piano. These include: the use of proto-themes, mediant regions, smooth voice-leading, complex tonal plans, motivic economy, and roving harmonies. These procedures are shown to be significant elements in Miguéz's palette of compositional traits and stylistic character istics; notably, they may have been common in Europe at the time but were unknown in Brazil. [...]" @default.
- W4386688507 created "2023-09-13" @default.
- W4386688507 creator A5011444323 @default.
- W4386688507 date "2023-05-30" @default.
- W4386688507 modified "2023-10-18" @default.
- W4386688507 title "Leopoldo Miguéz's Nocturnes Opp.10 and 20/1: Political Context and Stylistic Analysis in the City of Pianos" @default.
- W4386688507 cites W1991196028 @default.
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- W4386688507 doi "https://doi.org/10.11116/mta.10.1.1" @default.
- W4386688507 hasPublicationYear "2023" @default.
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