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- W4386827785 abstract "Abstract This chapter surveys the visual element in books of the period. It looks at major projects for heavily illustrated books, from Foxe’s Book of Martyrs and Holinshed’s Chronicles in the Elizabethan period, through portrait collections like Basiliωlogia (1618) and Herωologia (1620), to the mid–late seventeenth-century enterprises of John Ogilby, Sir William Dugdale, and Richard Blome (whose projects are given long overdue attention). It considers how the reliance on woodcut was replaced by a growing fashion for intaglio illustrations, whether etched or engraved, and the technical implications of this for book production. It also examines the marketing implications of the increasing preference for engravings, including the growing reliance on aristocratic and gentry patrons to pay for individual plates, for which they were rewarded by the display of their coats of arms. The chapter ends with brief reflections on what contemporaries perceived as the ‘added value’ of such highly illustrated volumes." @default.
- W4386827785 created "2023-09-19" @default.
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- W4386827785 date "2023-09-18" @default.
- W4386827785 modified "2023-09-26" @default.
- W4386827785 title "Illustrated Books" @default.
- W4386827785 doi "https://doi.org/10.1093/oxfordhb/9780198846239.013.16" @default.
- W4386827785 hasPublicationYear "2023" @default.
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