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- W4386959079 abstract "This chapter analyzes a strange trend within the Hong Kong new wave of the late 1970s and early 1980s: the transplantation of styles and themes of the Italian <italic>giallo</italic> into local filmmaking. Notably, Hong Kong’s pseudo-<italic>giallo</italic> films do not represent a gross cultural appropriation but a relative one that folds certain <italic>giallo</italic> influences into cinematic styles typical of Hong Kong during the period. These selective transnational borrowings unusually exemplify the ways in which locally produced films might incorporate foreign elements <italic>without</italic> attempting to fold those elements into totalized or proprietary wholes. This chapter argues that such Hong Kong films self-consciously “inject” foreign elements rather than seamlessly incorporate or “own” them. Consequently, these genre hybrids provide a far more localized, less ideological version of the transnationalism now endemic to contemporary Chinese cinema." @default.
- W4386959079 created "2023-09-23" @default.
- W4386959079 creator A5074932524 @default.
- W4386959079 date "2023-03-24" @default.
- W4386959079 modified "2023-09-29" @default.
- W4386959079 title "A Kinder Capitalism" @default.
- W4386959079 doi "https://doi.org/10.14325/mississippi/9781496844453.003.0010" @default.
- W4386959079 hasPublicationYear "2023" @default.
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