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W4386961844 abstract "Extract ‘Every origin of morality from the moment it stops being pious … has value as a critique’Michel Foucault, ‘Nietzsche, Genealogy History’ ‘Before the judge, we all “can’t help ourselves”’A criminal at Hans Beckert’s ad hoc trial in Fritz Lang’s M (1931) Through an investigation of crime as a fundamental modality of cinema worldwide, Transnational Crime Cinema establishes a genealogical method in studies of popular film within critical transnationalism. Building upon the critical orientation of transnational film studies, its chapters provide rigorous accounts of the political, economic, and historical processes entangled in the production, circulation, and reception of crime films most frequently treated through the lens of genre. More than simply a genre or collection of genres, the association of crime and cinema has deep historical roots in cinemas throughout the world and the studies of crime and cinema in this volume present granular analyses of how, in Will Higbee and Song Hwee Lim’s words, transnational cinema ‘negotiates with the national at all levels’ (2010: 12). Extending and deepening Higbee and Lim’s initial formulation of critical transnationalism, chapters in Transnational Crime Cinema investigate crime ‘within … narrative and production process, across film industries, [and] … in academia’ to interrogate how ‘filmmaking activities negotiate with the national … from cultural policy to financial sources, from the multiculturalism of difference to how [film] reconfigures the nation’s image of itself’ (Ibid.: 18)." @default.
W4386961844 created "2023-09-23" @default.
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W4386961844 date "2022-12-13" @default.
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W4386961844 title "Introduction Transnational Crime Cinema" @default.
W4386961844 doi "https://doi.org/10.3366/edinburgh/9781399505673.003.0001" @default.
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