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- W4386962079 abstract "Starting with the book-length comics made by the Genevan writer and artist Rodolphe Töpffer, Chapter 1 looks at Töpffer’s influence on both sides of the Atlantic and the many attempts at creating long comics narratives that appeared in the mid-nineteenth century. This chapter also considers how newspaper strips were reprinted in book form and one-off experiments such as A. B. Frost’s <italic>Carlo</italic>, in which the transition from one image to the next is in dialogue with media forms such as chronophotography and film. This chapter concludes by examining the woodcut novels of the first half of the twentieth century, a movement that started in the United States with Lynd Ward’s <italic>Gods’ Man</italic>: often anti-militarist and anti-capitalist, the woodcut novels narrated tales of class struggle through a series of eye-catching images, many of which could also function as political posters." @default.
- W4386962079 created "2023-09-23" @default.
- W4386962079 creator A5031976017 @default.
- W4386962079 date "2022-09-28" @default.
- W4386962079 modified "2023-09-29" @default.
- W4386962079 title "Precursors and Woodcut Novels: 14 September 1842 to the 1930s" @default.
- W4386962079 doi "https://doi.org/10.3366/edinburgh/9781474423342.003.0002" @default.
- W4386962079 hasPublicationYear "2022" @default.
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