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- W4386971822 abstract "Proposing a sustained engagement with the gaze and architecture, this chapter surveys the colonial presence simmering beneath the surface of the Italian <italic>giallo</italic> and stresses the importance of engaging with Italy’s ongoing histories. Looking to the cinema of Dario Argento, the chapter carefully studies the dichotomous relationship between containment and mobility in the films <italic>L’uccello dalle piume di cristallo</italic> (1970) and <italic>Tenebrae</italic> (1982), arguing that they are reflective of larger socio-political and cultural processes that can be seen through the genre more broadly." @default.
- W4386971822 created "2023-09-23" @default.
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- W4386971822 date "2023-03-24" @default.
- W4386971822 modified "2023-09-29" @default.
- W4386971822 title "Argento’s Evil Eye" @default.
- W4386971822 doi "https://doi.org/10.14325/mississippi/9781496844453.003.0003" @default.
- W4386971822 hasPublicationYear "2023" @default.
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