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- W4386971839 abstract "This chapter examines Hélène Cattet and Bruno Forzani’s <italic>neo-giallo</italic> film <italic>L’étrange couleur des larmes de ton corps</italic>/<italic>The Strange Color of Your Body’s Tears</italic> (2013). Drawing on Gilles Deleuze’s theory of color—and “red [as] the unique tone of blood”—in <italic>Cinema 1: The Movement-Image</italic> and <italic>Cinema 2: The Time-Image</italic>, this chapter seeks to understand the architectural aesthetics of the <italic>neo-giallo</italic> film (Deleuze 1989, 182–183). <italic>The Strange Color of Your Body’s Tears</italic> demonstrates an architectural aesthetics through the grandiose architectural tableaus and passageways that stage the scenes of murder, the psychological “architecture” of the characters’ traumatized minds, and the interstices between split screens as the spaces into which color bleeds for the spectator." @default.
- W4386971839 created "2023-09-23" @default.
- W4386971839 creator A5026026880 @default.
- W4386971839 date "2023-03-24" @default.
- W4386971839 modified "2023-09-29" @default.
- W4386971839 title "“This is no Longer a Metaphor But a Demonstration”" @default.
- W4386971839 doi "https://doi.org/10.14325/mississippi/9781496844453.003.0012" @default.
- W4386971839 hasPublicationYear "2023" @default.
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