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- W4387029403 abstract "This chapter elaborates on the three global transformations which have affected key institutions for the mediation of contemporary art at the relatively autonomous pole. It examines how the historical confluence of these developments in the early twenty-first century produced an expanded institutional and cultural infrastructure that enabled the genesis of a global artistic subfield. As the chapter highlights, agents from both central and peripheral regions around the world entered increasing exchanges and symbolic struggles, which gradually eroded the legitimacy of the old international order in contemporary art and led to the construction of a new kind of symbolic capital. This new capital demonstrates a fundamental shift toward a global logic in the field, which has become dynamically engaged with questions of cosmopolitanism, a decentering of dominant Western perspectives, and the contributions of artists, mediators, and institutions from more “peripheral” countries. In focusing on these three transformations, the chapter stresses that these developments were particularly influential for incorporating players and artifacts from national and regional art fields that were previously more disparate into a shared global framework. What emerged in the millennium's first decade was a global subfield for the specific cultural mediation of contemporary art—with its own institutions, discourses, and stakes—that cannot simply be reduced to an aggregate of national or regional art circuits." @default.
- W4387029403 created "2023-09-26" @default.
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- W4387029403 date "2022-11-22" @default.
- W4387029403 modified "2023-09-26" @default.
- W4387029403 title "The Genesis of a Global Artistic Subfield" @default.
- W4387029403 doi "https://doi.org/10.23943/princeton/9780691245447.003.0002" @default.
- W4387029403 hasPublicationYear "2022" @default.
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