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- W43966048 abstract "building looming on top of a long green that slopes toward the main thoroughfare (qtd. in Thomas). From across Brush Creek, the shuttle cocks appear in the distance, lightly perched on the grass in front of the museum, which, as a result, has been whimsically refigured as a kind of badminton net. When it was revealed that these sculptures would be permanent additions to the museum's landscape, the news set off a firestorm of criticism in the Kansas City media, mostly decrying falling standards for art, among other things. And, yet, museum officials pre dicted that these sculptures would make the building approachable, less forbidding, and hence to the community. As it turns out, the shuttlecocks are now a favorite photo prop, bringing in groups that had historically avoided the museum. Thus, according to the museum's curator of twentieth-century art, Deborah Emont Scott, they have more to open up this institution than anything we've ever done (qtd. in Thorson). The shuttlecocks have aesthetically refigured space and materially altered the physical, social, and demographic character of that space. While the media discourse about the shuttlecocks for the most part has been framed in terms of the discourse of art standards, the most significant effect of the shuttlecocks has been to alter public space. In this essay, we want to make a similar argument about the history and present state of English studies. Typically, the issue of reform in the humanities is represented as primarily involving standards of art or writing or culture, focusing on what should be taught in the humanities and how. What tends" @default.
- W43966048 created "2016-06-24" @default.
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- W43966048 date "2001-01-01" @default.
- W43966048 modified "2023-09-23" @default.
- W43966048 title "Geographical Designs: Rethinking Reform in the Humanities" @default.
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