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- W46414889 abstract "This thesis develops and theorises the presence of an identifiable cultural and national identity through Australian rock music, concentrating on the 1990s and into the year 2000 and beyond. It draws upon the traditions of Australian culture, being the beach, sport and suburbia as well as those 'new' cultural values and indicators such as multiculturalism. Music analysis comes from a hybrid background involving the disciplines of sociology, musicology, cultural studies and popular culture. The works are diverse and include that of Simon Frith, Thomas Swiss, Graeme Turner, Marcus Breen and Toby Cresswell. These theorists provide a diverse analysis of contemporary rock music and how it influences cultural identity. More specifically, Breen, Turner, Cunningham and Mitchell all theorise the influence rock music has had on Australia and how it has shaped cultural identity, policy and infrastructure. A textual analysis of lyrics, images and the idea of an Australian sound will provide a focus on how the music itself constructs a path to the idea of an Australian identity. Industry and policy as seen though Triple J and Channel [V], parallel importation and radio quotas respectively, play an integral part in how these areas contribute to the cultural value that Australianmusic provides. By analysing these aspects through the concepts of antipodality and hybridity, it will be asserted that Australian music contributes to the recontextualisation of Australian cultural identity." @default.
- W46414889 created "2016-06-24" @default.
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- W46414889 date "2002-01-01" @default.
- W46414889 modified "2023-09-23" @default.
- W46414889 title "Anthem for the year 2000 and beyond : Australian rock music and cultural identity" @default.
- W46414889 hasPublicationYear "2002" @default.
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