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- W50785842 abstract "...Given its massive length, together with the substantial number of instrumentalists required, it is clear that introducing the St Matthew Passion to colonial New Zealand was to be by no means an easy matter. The complexity of Bach’s musical language and its general unfamiliarity to local audiences were further complicating factors. Across the Tasman Sea, in Australia, such difficulties had resulted in an unfortunate premiere given by the Melbourne Philharmonic Society in 1875, with the critic for the Argus newspaper advising the 350 performers involved to rehearse the work ‘systematically for another 12 months’. This paper represents an initial step in addressing the overwhelming absence of Australasia from published scholarship on J. S. Bach reception history... In examining how this German ‘masterwork’ was successfully introduced to Wellington audiences—to the point where the Schola Cantorum could boast a ‘sell-out’ performance in 1941—a number of issues concerning the early reception of Bach’s music in New Zealand come to the fore. These include the ways in which local perceptions of the St Matthew Passion were largely mediated through the British music scene; the process which saw this lengthy (and difficult) work made palatable to audiences; and the problems caused by its transfer from the church to the concert hall." @default.
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- W50785842 date "2014-03-01" @default.
- W50785842 modified "2023-09-27" @default.
- W50785842 title "'The Greatest Choral Work that has ever been written': Wellington performances of J. S. Bach's St Matthew Passion, 1899–1941" @default.
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