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- W5180624 abstract "The poetic works of Jos? Mart? have been nearly overlooked by feminist scholarship. This neglect is undeserved, given Marti s importance in intellectual history, and the complexity with which his poems represent gender. A few scholars, such as Luis Toledo Sande, have found evidence that Marti s views on women were relatively progressive for his day. At the same time, other scholars, such as Angel Rama, Diogenes C?spedes, and Jacqueline Cruz, note the ambivalence and misogyny of Marti s portrayals of women. This article examines the ways Marti s poems idealize and vilify women, and interprets these themes in relation to Marti s position in late nineteenth-century political thought. The primary texts studied are Martis love poems such as the Versos sencillos and Versos libres, since they depict gender roles and relations in rich detail.2 As a theoretical foundation, it is useful to draw from the work of Patricia Hill Collins, who uses the term controlling to refer to common, ideologically charged images or stereotypes that are part of a generalized ideology of dominion (67). Controlling images limit human behavior and identities by narrowing the range of what is imaginable and possible. They obscure and justify the complex workings of systems of" @default.
- W5180624 created "2016-06-24" @default.
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- W5180624 date "2000-01-01" @default.
- W5180624 modified "2023-09-23" @default.
- W5180624 title "Angels and Criminals: The representation of Women in José Martí's Love Poetry" @default.
- W5180624 hasPublicationYear "2000" @default.
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