FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W52467444> ?p ?o ?g. }

• W52467444 abstract "A t 1994 Conference on College and Communication [CCCC] I attended a half-day workshop entitled Revisiting ' Sites of Com­ position,' a follow-up of Spiritual S ites of Composition session at 1 992 CCCC. Both workshop and session were fascinating in their open acknowledgment of existence of religion and spirituality at a conference as secular as CCCC. Until attending that first session in 1 992, I would not have imagined that anything to do with word spirit would ever be taken seriously in field of composition. I had read James Moffett's Writing, Inner Speech, and Meditation a few years before, but had thought of it as an exploration of matters that could never be acceptable in field at large. However, l istening to papers in that 1 992 session (published in May 1 994 issue of College Com­ position and Communication) and participating i n 1 994 workshop, I realized that idea of addressing spirituality as a part of composition theory was not necessarily so farfetched. I was both intrigued and disturbed by that realization. In this essay I want to tell story about how my thinking about spirituality and composition has evolved. On one hand, something about atmosphere at that 1 992 session made me want to run from room. People were talking about recovery and empower­ ment, intuition and meditation, spirituality and an inner source. While I was attracted to all those subjects, a part of me felt resistant to thought of con­ necting them to my work as a college teacher. After all, I thought, I teach logical discourse and theoretical analysis; I expect my students to make explicit state­ ments and use well-supported arguments. The words I was hearing, in contrast, sounded fuzzy, undefined, embarrassingly vague. Bringing such words into classroom could cause great damage, I thought, and this thought grew out of my fear of what William A. Covino ( 1 994) calls the abbreviation of inquiry that constitutes American magic consciousness (p. l 2 1 ) . Spirituality could be misin­ terpreted as a kind of dangerously deceptive magic, I worried; it could encourage students to be less thoughtful, to be satisfied with easy and illogical answers. On other hand, I felt deeply engaged and excited to be in a room with well over a hundred conference-goers interested in spirituality. I felt a kind of faith in value of spiritual ity, which I defined as an intuition about something beyond physical world. That intuition does not necessarily have to do with what people call God, I told myself; instead, it could simply be a way of digging deeper into experience of being a l iving body, and therefore was something my students could surely benefit from. Furthermore, whole idea of spiritual-" @default.
• W52467444 created "2016-06-24" @default.
• W52467444 creator A5038895946 @default.
• W52467444 date "1996-01-01" @default.
• W52467444 modified "2023-10-03" @default.
• W52467444 title "Spirituality and Composition: One Teacher's Thoughts" @default.
• W52467444 cites W145540637 @default.
• W52467444 cites W1483758489 @default.
• W52467444 cites W1566191325 @default.
• W52467444 cites W1576289260 @default.
• W52467444 cites W2095253903 @default.
• W52467444 cites W228978456 @default.
• W52467444 cites W271618810 @default.
• W52467444 cites W83571898 @default.
• W52467444 doi "https://doi.org/10.7290/jaepl2zz9i" @default.
• W52467444 hasPublicationYear "1996" @default.
• W52467444 type Work @default.
• W52467444 sameAs 52467444 @default.
• W52467444 citedByCount "1" @default.
• W52467444 countsByYear W524674442018 @default.
• W52467444 crossrefType "journal-article" @default.
• W52467444 hasAuthorship W52467444A5038895946 @default.
• W52467444 hasBestOaLocation W524674441 @default.
• W52467444 hasConcept C11171543 @default.
• W52467444 hasConcept C124952713 @default.
• W52467444 hasConcept C142362112 @default.
• W52467444 hasConcept C142724271 @default.
• W52467444 hasConcept C15744967 @default.
• W52467444 hasConcept C204787440 @default.
• W52467444 hasConcept C40231798 @default.
• W52467444 hasConcept C514793146 @default.
• W52467444 hasConcept C71924100 @default.
• W52467444 hasConceptScore W52467444C11171543 @default.
• W52467444 hasConceptScore W52467444C124952713 @default.
• W52467444 hasConceptScore W52467444C142362112 @default.
• W52467444 hasConceptScore W52467444C142724271 @default.
• W52467444 hasConceptScore W52467444C15744967 @default.
• W52467444 hasConceptScore W52467444C204787440 @default.
• W52467444 hasConceptScore W52467444C40231798 @default.
• W52467444 hasConceptScore W52467444C514793146 @default.
• W52467444 hasConceptScore W52467444C71924100 @default.
• W52467444 hasLocation W524674441 @default.
• W52467444 hasOpenAccess W52467444 @default.
• W52467444 hasPrimaryLocation W524674441 @default.
• W52467444 hasRelatedWork W1884192967 @default.
• W52467444 hasRelatedWork W1969312240 @default.
• W52467444 hasRelatedWork W1992915833 @default.
• W52467444 hasRelatedWork W1998202894 @default.
• W52467444 hasRelatedWork W2021123940 @default.
• W52467444 hasRelatedWork W2036405309 @default.
• W52467444 hasRelatedWork W2040661167 @default.
• W52467444 hasRelatedWork W2056206051 @default.
• W52467444 hasRelatedWork W2605513728 @default.
• W52467444 hasRelatedWork W93680663 @default.
• W52467444 hasVolume "2" @default.
• W52467444 isParatext "false" @default.
• W52467444 isRetracted "false" @default.
• W52467444 magId "52467444" @default.
• W52467444 workType "article" @default.