FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W54816106> ?p ?o ?g. }

• W54816106 startingPage "69" @default.
• W54816106 abstract "What left To do but wait in the dark, and no stars? --Robert Penn Warren, Red-Tail Hawk and Pyre of Youth In the foreword to Collected Poems of Robert Penn Warren, Harold Bloom, Warren's longtime friend and colleague at Yale, recounts an interesting anecdote concerning and T. S. Eliot. After Anxiety of Influence was published, Bloom remembers that many of his old friends felt alienated, but Warren, on the other hand, reacted quite positively to the book. In fact, wrote Bloom an enthusiastic letter, and, later, over lunch, Warren emphasized his uncanny sense of recognizing his own relation to his precursor, (xxiv). Actually, Eliot's influence over Warren's early poetry was so strong that it almost inhibited Warren's ability to write poems in his own style. Although most of Warren's poetry from a period beginning in 1922 until, arguably, the appearance of Promises in 1958 shows some derivations from his precursor, Eliot's influence is most evident in Warren's Fugitive poetry. When the Waste Land first appeared in America in Dial magazine, Robert Penn was a student in Donald Davidson's sophomore writing class at Vanderbilt University. Davidson, the first of the Fugitives to read the poem, immediately shared the poem with (Cowan (107). At that particular moment in Nashville, a flowering of literary creation had just begun as a group of leading scholars at Vanderbilt University and well-respected members of the local community met weekly with an eccentric Jewish aesthete, Sidney Mttron Hirsch, to discuss philosophy, art, and, most importantly, poetry. Idle discussion soon gave way to a regularly published journal, Fugitive, and a well-organized theory of poetic imagination. James Justus notes that the two lines of force that converged on the Nashville Fugitives ... were the revival of the seventeenth-century metaphysical and the more immediate impact of the great modernists, especially Pound and and he goes on to explain that both forces may have had the same point of genesis: The metaphysical recovery among the Fugitives was part of a larger revival, which included Eliot's fascination with the seventeenth-century poets (50). By the time Waste Land appeared, a schism had emerged among the Fugitives, pitting the controlled, formal style of John Crowe Ransom against the modernist tendencies of Allen Tate, but, nevertheless, all of the Fugitives, especially Warren, the youngest, realized that Eliot's poem was a watershed.(1) Eliot's poetry had an immediate, visceral effect on Allen Tate, and Tate, in turn, proselytized before all his peers about modernism's momentous significance. Actually, almost instinctively anticipated Eliot's prototypical modernist style, and Hart Crane, who came across some of Tate's poems in Double-Dealer, pointed out the similarities between Tate's verse and Eliot's verse in a letter to Tate. Although had not discovered Eliot until then, he immediately absorbed all of Eliot's work, which, according to Louis Rubin, he found overwhelming (76). Even in the company of the Fugitive's quiet but strong-willed leader, John Crowe Ransom, championed modern poetry, but Ransom was reluctant to endorse Eliot as heartily as his precocious protege, and the tension between Ransom and eventually erupted into a brief but spirited debate in the pages of Fugitive concerning poetic form (Cowan 83). While Ransom remained unmoved by the spirit of modern verse, Tate's zeal and Eliot's style had a profound effect on the impressionable young Warren. and Tate, as the only student members of the Fugitives, developed an extremely strong friendship, and they even roomed together for a time. Certainly, sharing quarters with the charismatic had an effect on Warren's social life, and proximity to had an appreciable effect on Warren's poetry. Louis Rubin notes that Eliot was Warren's earliest and most pervasive influence, as one might expect of a friend and roommate of Allen Tate (330). …" @default.
• W54816106 created "2016-06-24" @default.
• W54816106 creator A5007062297 @default.
• W54816106 date "1999-09-22" @default.
• W54816106 modified "2023-09-24" @default.
• W54816106 title "T. S. Eliot and Pyre of Youth: The Fugitive Poetry of Robert Penn Warren" @default.
• W54816106 hasPublicationYear "1999" @default.
• W54816106 type Work @default.
• W54816106 sameAs 54816106 @default.
• W54816106 citedByCount "0" @default.
• W54816106 crossrefType "journal-article" @default.
• W54816106 hasAuthorship W54816106A5007062297 @default.
• W54816106 hasConcept C104317684 @default.
• W54816106 hasConcept C124952713 @default.
• W54816106 hasConcept C138885662 @default.
• W54816106 hasConcept C142362112 @default.
• W54816106 hasConcept C164913051 @default.
• W54816106 hasConcept C185592680 @default.
• W54816106 hasConcept C2776445246 @default.
• W54816106 hasConcept C2780362631 @default.
• W54816106 hasConcept C2780792186 @default.
• W54816106 hasConcept C52119013 @default.
• W54816106 hasConcept C55493867 @default.
• W54816106 hasConcept C56273599 @default.
• W54816106 hasConcept C95457728 @default.
• W54816106 hasConceptScore W54816106C104317684 @default.
• W54816106 hasConceptScore W54816106C124952713 @default.
• W54816106 hasConceptScore W54816106C138885662 @default.
• W54816106 hasConceptScore W54816106C142362112 @default.
• W54816106 hasConceptScore W54816106C164913051 @default.
• W54816106 hasConceptScore W54816106C185592680 @default.
• W54816106 hasConceptScore W54816106C2776445246 @default.
• W54816106 hasConceptScore W54816106C2780362631 @default.
• W54816106 hasConceptScore W54816106C2780792186 @default.
• W54816106 hasConceptScore W54816106C52119013 @default.
• W54816106 hasConceptScore W54816106C55493867 @default.
• W54816106 hasConceptScore W54816106C56273599 @default.
• W54816106 hasConceptScore W54816106C95457728 @default.
• W54816106 hasIssue "1" @default.
• W54816106 hasLocation W548161061 @default.
• W54816106 hasOpenAccess W54816106 @default.
• W54816106 hasPrimaryLocation W548161061 @default.
• W54816106 hasRelatedWork W1561202291 @default.
• W54816106 hasRelatedWork W173862550 @default.
• W54816106 hasRelatedWork W1969720021 @default.
• W54816106 hasRelatedWork W1981260577 @default.
• W54816106 hasRelatedWork W2039157823 @default.
• W54816106 hasRelatedWork W2057471502 @default.
• W54816106 hasRelatedWork W2151097756 @default.
• W54816106 hasRelatedWork W2322094670 @default.
• W54816106 hasRelatedWork W2323932252 @default.
• W54816106 hasRelatedWork W2327383763 @default.
• W54816106 hasRelatedWork W2333648296 @default.
• W54816106 hasRelatedWork W2503439210 @default.
• W54816106 hasRelatedWork W258367001 @default.
• W54816106 hasRelatedWork W285505476 @default.
• W54816106 hasRelatedWork W2895356016 @default.
• W54816106 hasRelatedWork W2941489032 @default.
• W54816106 hasRelatedWork W2977789506 @default.
• W54816106 hasRelatedWork W584341920 @default.
• W54816106 hasRelatedWork W632130603 @default.
• W54816106 hasRelatedWork W2602122757 @default.
• W54816106 hasVolume "32" @default.
• W54816106 isParatext "false" @default.
• W54816106 isRetracted "false" @default.
• W54816106 magId "54816106" @default.
• W54816106 workType "article" @default.