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• W55541205 endingPage "270" @default.
• W55541205 startingPage "221" @default.
• W55541205 abstract "Pitch and timbre are terms developed to describe musical sounds. By convention, pitch is that perceptual property of a sound that can be used to play a melody, while timbre is a rather more vague perceptual property that distinguishes musical sounds of the same pitch. The pitch of an arbitrary sound is quantified as the frequency in hertz (Hz) of a sinusoid with perceptually matching pitch. Thus, one might say that pitch is a perceptual frequency, and timbre is almost everything else (but not including loudness, position, and perhaps a few other well-defined attributes). In general, a sound source achieves a perceptual unity through pitch, and encodes its identity primarily through timbre. For example, any instrument playing middle C will be heard as a sound source with a pitch of 262 Hz, but the timbre of the sound will tell us whether we are hearing a string excited by a bow, or a tube excited by reed, or a vibrating metal bar, or an electronically synthesized buzz." @default.
• W55541205 created "2016-06-24" @default.
• W55541205 creator A5026382065 @default.
• W55541205 creator A5057113698 @default.
• W55541205 date "1996-01-01" @default.
• W55541205 modified "2023-10-16" @default.
• W55541205 title "Auditory Representations of Timbre and Pitch" @default.
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• W55541205 doi "https://doi.org/10.1007/978-1-4612-4070-9_6" @default.
• W55541205 hasPublicationYear "1996" @default.
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