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- W563193111 abstract "Rebel Dance, Renegade Stance shows how community music-makers and dancers take in all that is around them socially and globally, and publicly and bodily unfold their memories, sentiments, and raw responses within open spaces designated or commandeered for local popular dance. Umi A. Vaughan, an African American anthropologist, musician, dancer, and photographer plantao in Cuba---planted, living like a Cuban---reveals a rarely discussed perspective on contemporary Cuban society during 1990s, peak decade of timba, and beyond, as Cuban leadership transferred from Fidel Castro to his brother. Simultaneously, book reveals popular dance music in context of a young and astutely educated Cuban generation of fierce and creative performers. By looking at experiences of black Cubans and exploring notion of Afro Cuba, Rebel Dance, Renegade Stance explains timba's evolution and achieved significance in larger context of Cuban culture. Vaughan discusses a maroon aesthetic extended beyond colonial era to context of contemporary society; describes dance spaces of Cuba; and examines performance of identity and desire through character of the especulador. This book will find an audience with musicians, anthropologists, ethnomusicologists, interdisciplinary specialists in performance studies, cultural studies, and Latin American and Caribbean studies, as well as laypeople who are interested in Atlantic/African and African American/Africana studies and/or Cuban culture." @default.
- W563193111 created "2016-06-24" @default.
- W563193111 date "2013-04-17" @default.
- W563193111 modified "2023-09-26" @default.
- W563193111 title "Rebel dance, renegade stance: Timba music and black identity in Cuba" @default.
- W563193111 doi "https://doi.org/10.5860/choice.50-4915" @default.
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