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- W569182488 abstract "Calls for participatory nonfiction are not new, particularly from the ethnographic film movement. However, the Internet has given them new momentum. User-generated content (UGC) and its online distribution through social media have created a largely untapped resource for producers of co-created nonfiction. Resultant opportunities and challenges exist on three interpenetrating continua: firstly, sourcing content; secondly, structure and form; and thirdly, distribution. I will propose a typology with examples of recent projects. Some co-created projects claim to be documentaries. Their relationship to that form depends on whether a coherent ‘voice’ rises above the database of multivocal elements such projects contain. Online co-created nonfiction projects may be more participatory, but participation may come at the cost of received ideas of documentary practice (for example, those of Grierson 1946; Renov 2004 and Nichols 1983). The opportunities of UGC and co-creation suggest that a new space is being excavated in nonfiction – one concerned with community and niche cultures rather than addressing an external audience looking for recognisable encounters with documentary practice. The creators of these hybrid projects must develop a more sophisticated understanding of documentary practice if they wish to appeal to a wider audience. Meanwhile, scholars should be wary of including all co-created nonfiction within the scope of documentary practice, as this move threatens to render that term meaningless." @default.
- W569182488 created "2016-06-24" @default.
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- W569182488 date "2013-10-31" @default.
- W569182488 modified "2023-10-17" @default.
- W569182488 title "At the edge of documentary: participatory online nonfiction" @default.
- W569182488 doi "https://doi.org/10.52086/001c.28971" @default.
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