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- W577333988 abstract "Can we relate an history about French colonial exhibitions without talking about the ones organised in the 1850's in Bordeaux, Nantes, Metz, Le Havre, Lyon, Rochefort, Cherbourg, Beauvais, Nice, Montauban, Rouen, Tours, Marseille? The colonial exhibitions cognition is still today limited to the cities of Paris, Marseille or Lyon. And what about the other cities, specially harbours which have ancient commercial links with The Overseas? Which motivations, ambitions or trends let these « small patries » open their modest exhibitions to colonies? This thesis, which corpus is innovator, lightens the process, which leads in the XIXth century from the emergence in small cities of “salon colonial” concept, organised by some amateur collector, to a giant “colonial exhibition”. The aim of this process, stipulated by the State during the IIIrd Republic is to popularize exhibitions dedicated first to local elites under 2nd Empire. The exotic object put aside step by step from metropolitan houses and artistic exhibitions, is put apart, gathered amongst products with same source, in a « colonial section », in a thematic house or an ethnographic village. This switching has consequences on the use and interest given to the object. Indeed first considerated as a rare, strange and foreign object, it becomes a colonized, dominated object, with a hierarchy, built by the upcoming imperialist thoughts and talks." @default.
- W577333988 created "2016-06-24" @default.
- W577333988 creator A5003568229 @default.
- W577333988 date "2009-01-01" @default.
- W577333988 modified "2023-09-27" @default.
- W577333988 title "Mises en scènes de l'objet dans les salons coloniaux de province (1850-1896) : vers l'emergence de modèles d'expositions coloniales" @default.
- W577333988 hasPublicationYear "2009" @default.
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