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- W594705577 abstract "An eminent figure in the group of French writers known as the « Fantaisistes », Tristan Dereme (1889-1941) is best known for his poetical works. However, limiting Dereme’s achievement to his poetry implies putting aside a considerable number of books (Le Quatorze Juillet ou petit art de rimer quand on manque de rimes, Le Poisson rouge, L’Onagre orange, La Libellule Violette, to name but a few) which constitute a series of essays employing multiple voices to explore a wide range of questions relating to French poetry, particularly its formal properties.This thesis first explores the ways and means by which this little-commented opus of twentieth century literature operates at a theoretical crossroads, extending an undoubtedly classical tradition whilst anticipating strikingly modern perspectives. Consideration is given both to the substance of Dereme’s writing (the conceptions and positions which he develops, which are the subject of the first part of the thesis) and do the literary form of his work (his formal innovations, experimenting with diverse writing and re-writing constraints, which are analyzed in the second part). Set in a fictional literary salon, Dereme’s polyvocal reflections raise fundamental questions concerning literary theory. The ludic and original form of these reflections is the subject of the last part of the study, which opens up a meta-theoretical perspective: what if a poetics of poetry could only be written as fantasy ?" @default.
- W594705577 created "2016-06-24" @default.
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- W594705577 date "2012-12-21" @default.
- W594705577 modified "2023-09-28" @default.
- W594705577 title "Poétique(s) de la poésie : Le cas Tristan Derème" @default.
- W594705577 hasPublicationYear "2012" @default.
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