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- W599662020 abstract "This research project sets out to demonstrate that a contemporary application ofsystematic drawing principles to the representation of natural environments couldextend beyond the linear conventions upon which these principles are founded, andthereby produce dynamic and expressive interpretations of human and non-humansystems. The project was pursued through an exploration of themes central torepresentation of natural environments. These include; the technologies of mappingsystems; the construction of temporal and spatial frameworks; the aesthetics of naturalenvironments; and concepts related to locality and placement. Research methodsincluded the reconstruction of optical devices, the undertaking of extensive field trips,and the learning of new computer languages.The background to the project is located in: the history of geometry and the concept ofthe visual ray as first posited by Aristotle; the writings and research of PatrickMaynard, who analysed the role of drawing in the construction of the moderntechnological world; Manuel DeLanda's writings on Gilles Deleuze, and his concepts ofthe manifold, intensive science, and virtual philosophy; the alternative mappingstrategies proposed by John Pickle; and the writings of Arnold Berleant who discussedthe aesthetics of natural environments. These concepts are drawn out contextually inthe exegesis through reference to visual artists involved in (re-)mapping theirenvironments; including Hamish Fulton and John Wolslely in relation to representationof direct experience of being in the land; Bea Maddock's inverted geometric projectionof Tasmania; Mark Lombardi's visualisation of networks; and Daniel Crooks's temporalre-mapping experiments.The outcome of the research 1s a body of five artworks; Origin 2004-2008 [constantchange), Range 2006 [strange attractor), Sticks and Stones, Drowning by Numbers andSource. These works were created in response to an analysis of conventional mappingsystems, and the limitations of their geometric and optical drawing methodologies invisualising natural environments. The works in the thesis exhibition use variousstrategies, based on the application of alternative mapping methodologies, whichengage the viewer in new temporal and spatial networks, and thus challengeperceptions of what it is that constitutes experience of environment." @default.
- W599662020 created "2016-06-24" @default.
- W599662020 creator A5056319173 @default.
- W599662020 date "2009-01-01" @default.
- W599662020 modified "2023-09-26" @default.
- W599662020 title "Beyond linearity : contemporary drawing and the naturalistic representation of experience" @default.
- W599662020 hasPublicationYear "2009" @default.
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