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- W60390695 abstract "The subject of my thesis is the otherness in the work of Agota Kristof and Milan Kundera. Their opposite styles are link by their defiance towards lyricism and mimesis. Moreover, they have a similar biography for they underwent the war, the soviet totalitarianism and exile. In this comparative study I interrogate the notion and its role in the shaping of the authors' writing. My inquiry focuses on four main subjects divided into fourth parts: the writing, the discourse, the body and creation. My method is interdisciplinary for I use the work of critics such as levinas, Lacan or Bakhtine. In the first part, I define and present the implications of the otherness and related notions regarding the construction of the novel. The writing relies on fragmentation by mixing different points of view, levels of narration and narratives (dream sequences, autobiography, anecdotes). Various elements are constructed and deconstructed expressing the split dynamic. The second part deals with the discourse regarding otherness. Seemingly opposite speeches (internal/external, direct/indirect) express that of the self. Paradoxically, the dialogue leads to the loss of otherness. Polyphony intertwines several voices: of the self, of the other, of society and in Kristof's case, of the officials. Does Otherness rely on their equilibrium? Yet, otherness begs the question regarding the link between the body and the discourse. The third part defines a corporal writing. Different discourses invite various understandings and experiences of the body for he can also appear to be the other." @default.
- W60390695 created "2016-06-24" @default.
- W60390695 creator A5054180297 @default.
- W60390695 date "2012-06-23" @default.
- W60390695 modified "2023-09-26" @default.
- W60390695 title "L'altérité : dans les oeuvres d'Agota Kristof et de Milan Kundera" @default.
- W60390695 hasPublicationYear "2012" @default.
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