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- W637127429 abstract "Contributors include Jayna Brown, Pearl Bowser, Corey K. Creekmur, Jane Gaines, Gloria J. Gibson, J. Ronald Green, Arthur Jafa, Phyllis R. Klotman, Charles Musser, Charlene Regester, Louise Spence, Clyde R. Taylor, Sr. Francesca Thompson, and Michele Wallace. Contents Introduction: and Race Movies of the Silent Period, by Pearl Bowser, Jane Gaines and Charles Musser I. Overviews Clyde R. Taylor, Silence and the Politics of Representation A.J. Jafa, Notion of Treatment: Black Aesthetics and Film, based on an interview with Peter Hessli and additional contributions from Pearl Bowser Sr. Francesca Thompson, Shadows N' Shufflin' to Spotlights and Cinema: The Lafayette Players, 1915-1932 Charlene Regester, African-American Press and Race Movies, 1909-1929 II. Oscar Michele Wallace, Micheaux's Our Gates and the Evolution of Black Stereotypes in American Cinema Jane Gaines, Within Our Gates: From Race Melodrama to Opportunity Narrative Pearl Bowser and Louise Spence, Micheaux's The Symbol of the Unconquered: Text and Context Charles Musser: To Redream the Dreams of White Playwrights: Reappropriation and Resistance in Oscar Micheaux's Body and Soul Jayna Brown, Patriarch on the Prairie: National Identity and Black Manhood in the Early Novels of Oscar Micheaux Corey Creekmur, Telling White Lies: Oscar and Charles W. Chesnutt III. Micheaux's Contemporaries Phyllis Klotman, Planes, Trains, and Automobiles: The Flying Ace, The Norman and the Connection The Colored Players Film Corporation a) Charles Musser, An Alternative to Micheaux b) Pearl Bowser, Lost then Found: The Wedding Scene from The Scar of Shame (1929) Pearl Bowser and Charles Musser, Richard D. Maurice and the Maurice Film Company Gloria J. Gibson, Cinematic Foremothers: Zora Neale Hurston and Eloyce King Patrick Gist" @default.
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- W637127429 date "2016-01-01" @default.
- W637127429 modified "2023-09-25" @default.
- W637127429 title "Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era" @default.
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