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- W640436404 abstract "In this paper I explore the cinematic representation of memory, trauma and identity in theautobiographical documentary, with reference to my film The Border Crossing. I utilise and locate my ownexperience inside questions about the use of cinematic language in the representation of memory, trauma,and identity. Alisa Lebow (2008) asks: “do we call up our cultural ghosts, or do they call on us? Is not thelatter likely… where we are interpolated into the body of (cultural) knowledge we think of as our(contested) self?” The Border Crossing is set in the Basque country where a young woman reconstructs myself of 40 years ago. She wanders through streets on both sides of the Spanish/French border towards aviolent fate, while an unnamed man drives in the rain at night. Interweaved are narratives of Aitziber, aBasque nationalist, tortured by the Spanish Guardia Civil, and Maria, a photographer, whose niece died ina car she was driving, and whose narratives of the present and past, include references to history. My offscreenvoice reflects on the past and present and difficulties encountered in making this film and theyoung woman’s off-screen voice interacts with mine, as she recounts the story of the journey. This createsa discourse around the cinematic representation of subjectivities towards a metaphorical representation ofpast and present. It allows the camera and microphone to record an impressionistic landscape of soundand image to build a mosaic of exterior space that merges with an imagined space of the past to occupythe fertile space between documentary and fiction." @default.
- W640436404 created "2016-06-24" @default.
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- W640436404 date "2012-01-01" @default.
- W640436404 modified "2023-09-23" @default.
- W640436404 title "The Border Crossing: the Cinematic Representation of Memory in theAutobiographical Documentary" @default.
- W640436404 hasPublicationYear "2012" @default.
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