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- W654324470 abstract "This paper investigates virtual reality representations of performance inLondon’s late sixteenth-century Rose Theatre, a venue that, by means ofcurrent technology, can once again challenge perceptions of space,performance, and memory. The VR model of The Rose becomes a Camillo device in that it represents a virtual recreation of this venue in as much detailas possible and attempts to recover graphic demonstrations of the tracememories of the performance modes of the day. The VR model is based onaccurate archeological and theatre historical records and is easy tonavigate. The introduction of human figures onto The Rose’s stage viamotion capture allows us to explore the relationships between space, actorand environment. The combination of venue and actors facilitates a new wayof thinking about how the work of early modern playwrights can be stored andrecalled. This virtual theatre is thus activated to intersect productivelywith contemporary studies in performance; as such, our paper provides aperspective on and embodiment of the relation between technology, memory and experience. It is, at its simplest, a useful archiving project fortheatrical history, but it is directly relevant to contemporary performancepractice as well. Further, it reflects upon how technology and‘re-enactments’ of sorts mediate the way in which knowledge andexperience are transferred, and even what may be considered ‘knowledge.’Our work provides opportunities to begin addressing what such intermedialconfrontations might produce for ‘remembering, experiencing, thinking andimagining.’ We contend that these confrontations will enhance live theatreperformance rather than impeding or disrupting contemporary performancepractice. This paper intersects with the CFP’s ‘Performing Memory’ and‘Memory Lab’ themes. Our presentation (which includes a demonstration of the VR model and the motion capture it requires) takes the form of two closely linked papers that share a single abstract. The two papers will be given by two people, one of whom will be physically present in Utrecht, the other participating via Skype." @default.
- W654324470 created "2016-06-24" @default.
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- W654324470 date "2011-05-01" @default.
- W654324470 modified "2023-09-27" @default.
- W654324470 title "Technology, memory and experience : virtual reality, motion capture and early modern theatre" @default.
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